While the sketching phase did overlap with the rest of the production being longer than expected, we shortly started the style correction and lining phase while I finished the sketches for the final scene. After completing the rough animation for the whole film and starting the lining, I started on the colouring. Colouring the character assets in TV paint, which I had little to no experience with before this project helped the production speed up as we also split the background colouring and used programs such as photoshop to create detailed long shots.
